Best Films of 2018 (10-1)


This is the second part of my Best Films of 2018 feature detailing my Top Ten films. Click here to read numbers 20 to 11 and the Honourable Mentions.

Without further ado, here are my Top Ten films of 2018:


10) All The Money In The World 

All The Money In The World is overall, immensely enjoyable and a fun potboiler. It is frequently gripping and is propped up by the brilliant cast. Scott has had a varied career, Alien and Blade Runner at his peak, Kingdom of Heaven and Robin Hood at his worst and then, many of his films fall in between with ambitious ideas but not necessarily great execution a la Alien: Covenant. All The Money In The World ultimately proves to be one of Scott’s best films and proves that with the right script and the right cast, he can still churn out greatness. Last-minute replacement Christopher Plummer is excellent as J. Paul Getty, as is Michelle Williams as her kidnapped son’s mother who just wants him back but cannot afford the hefty ransom. Although the film will be remembered for its behind-the-scenes shake-up with Kevin Spacey, the film is fantastic in its own right and should be viewed as such. (Full review here)


9) Last Flag Flying 

Last Flag Flying really knocked me back. Boyhood director Richard Linklater has crafted a bittersweet and warm tale of friendship and coming to terms with loss that is very mature. Yet, the film also has bite in its conflicted commentary of military service and patriotism. The performances by the entirety of the cast are superb and of course, the trio of Steve Carrell, Bryan Cranston and Laurence Fishburne have such good chemistry together. All of the characters are so well developed that when the film finished, I could have easily watched another two hours of these characters interacting with each other. They are all morally flawed individuals, who have all made mistakes in the past but they all have good intentions. It’s a brilliant film and one that I highly recommend seeking. (Full review here)


8) In The Fade 

In The Fade is a return to form for German-Turkish director Fatih Ahkin and is a moody yet contemplative insight into the degradation of Diane Kruger’s main character following the death of her husband and her son in a neo-Nazi terrorist attack. The film transitions seamlessly from courtroom drama to a meditative thriller and the whole experience is edge-of-your-seat. The score by Queens of the Stone Age frontman Joshua Homme is excellent and compliments the film beautifully. In The Fade is a hard but necessary and rewarding watch.


7) Widows

Widows is an intelligent, taut and well-constructed piece that not only succeeds as a basic heist film, but it has a lot to say on the themes of gender and politics. The cast are uniformly brilliant, Viola Davis leading the pack with ease and swagger. The standouts are Michelle Rodriguez, who plays against type as one of the widows and Daniel Kaluuya as Jamal’s menacing mob enforcer brother, also playing against type as his past characters have had a sense of morality. McQueen delivers on the more basic elements of the genre in spades, the heists gripping and tension-filled and the action sequences equally satisfying, given that his previous filmography hasn’t featured this. Coupled with American Animals (13th in this ranking), the heist genre has had a strong year. (My original review here)


6) Lady Bird 

Lady Bird, the directorial debut of actress / writer Greta Gerwig, is a beautifully humane coming-of-age story of a teenager whose strong personality conflicts with her mothers equally volatile temper. It makes for a fascinating character study, containing plenty of scenarios and vignettes that run true to many home experiences of growing up. Gerwig’s script is particularly polished, mostly avoiding cliche, which keeps the story fresh and makes for a deeply personal insight into the film’s setting of Sacramento, where Gerwig herself grew up. (Full review here)


5) Phantom Thread 

Phantom Thread represents yet another high for director Paul Thomas Anderson and is a fantastic note for Daniel Day-Lewis to go out on, should this in fact be his swansong. It makes for a masterful character study and a real treat for cinephiles. Two thirds of this film is pretty much note-perfect but I’m still a little unsure of the direction the film takes in the third act but I am definitely more on-board with it than on first watch. (Full review here)


4) The Shape of Water 

The Shape of Water is a beautiful triumph from Guillermo Del Toro, who once again successfully interweaves and juxtaposes the supernatural to reality. Del Toro has clearly been inspired from The Creature from the Black Lagoon, a film that he wanted to remake from a female perspective but wasn’t allowed. As well as this inspiration, Del Toro’s film is a love letter to early cinema which it borrows in some of its tropes and plot points, infused with his darker work on Pan’s Labyrinth and The Devil’s Backbone. I was hooked by the film throughout and it has a lot hidden up its sleeve and like his other films, it earns its adult rating with its sex and grotesque violence. (Full review here)

Now into the top #3…


3) Coco 

I really struggled with 2nd and 3rd, but Coco just lost out on 2nd place. Coco is yet another triumph for the animation giant, Pixar, and ranks as one of their strongest works. It is moving, life-affirming and should manage to appeal to both adults and children alike. It also goes without saying that the attention to detail in the animation is second to none, Pixar continuing to elevate animation to photorealist levels. Combined with the excellent narrative and emotional journey this film takes us through, Coco is a film fully deserving of its all praise. (Full review here)


2) Three Billboards Outside Ebbing, Missouri 

Three Billboards Outside Ebbing, Missouri proves Martin McDonagh’s writing talent again and then some. McDonagh has such a great ear for dialogue in this film and there are so many wonderful exchanges of dialogue between characters. It is frequently comic, always entertaining and what I particularly love about this film, is it takes many unexpected diversions in its narrative. The film leads you to believe a certain plot point will go in one direction, but McDonagh in multiple instances, subverts expectations and this makes this film all the more fresh. There are many moments where I was genuinely in awe and shock. It is a biting drama about murder, investigating and how people have multiple sides to their personality. (Full review here)

So the best film of the year is…


1) Sicario 2: Soldado 

There really was no competition. Sicario 2: Soldado is a masterful sequel and whilst its behind-the-camera talent may not, on paper, be quite as strong as its original, as a film I found it to be better paced and maintains its sharp focus throughout. The first film made a jarring shift in its final third, which although was satisfying, did make the film lose focus a little as the rest of the film follows Emily Blunt’s FBI agent constantly. This is an even more grimy and black picture where characters are morally and ethically bankrupt and there are multiple scenes which are very uncomfortable to watch, in particular an early scene that sets the backdrop for the rest of the film with terrorists blowing up a supermarket. Sollima’s sequel has a rousing commentary on American politics with a Trumpian-like President and the lengths and processes people go to to cross the border. The film gets better on further rewatches and nothing has come close to unseating this film from first position. (Full review here)

So there we go, these films were in my opinion, the best of 2018. What are your thoughts? Let me know in the comments or tweet @TheFilmMeister

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