Ranking The Comic-Book Films Of 2017

With 2017 bringing us a slew of comic-book films, 7 to be exact (6 live-action, 1 animation) and them all receiving very different receptions now would seem like a suitable time to rank them. Although comic-book films are increasingly prevalent every year at the moment in the film industry with 2016 jumping up to 6 releases, 2017 further continues this trend.

The Marvel Cinematic Universe continues to chug along and this year, we’ve had 3 new films – Guardians of the Galaxy Vol. 2, Spider-Man: Homecoming and Thor: Ragnarok. Marvel continue to prove with these films in their general reception that they are the current juggernauts and things look very promising indeed for next year’s big team-up which these films culminate in – Avengers: Infinity War.

2017 has been an even more important year for DC in their quest to also prop up a cinematic universe, like Marvel. Batman v Superman: Dawn of Justice and Suicide Squad were both received very negatively last year (I liked BvS a lot and can just about give a pass to Suicide Squad) so 2017 has been very important in them proving why they should also have a share of the market. 2017 saw the releases of Wonder Woman, which practically did a U-turn for the DCEU in its brilliant reception. Although Justice League, the culmiation of the DCEU films thus far which sees our favourite superheroes team up, wasn’t received nearly as well, in terms of reception, people have accepted it a little more than either of 2016’s releases. The Lego Batman Movie also features in this list, which is not an official entry in the DCEU but it’s still a comic-book film nonetheless based on the DC character of Batman.

The trend of comic-book films aimed more towards adults , which kicked off with Deadpool last year, continues with Marvel’s solo X-Men offering this year, Logan and it is also Hugh Jackman’s swansong as the character.

So this hasn’t just been a typical year in this genre hence why I have felt the need to rank them. Let’s get started!

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7) The Lego Batman Movie

The Lego Batman Movie is a film of two halves – its first act is particularly impressive and constantly cracks jokes left, right and centre and is surprisingly very cine-literate. The opening sequence which is a fight between Batman and the Joker is particularly well-crafted and the gags keep coming at a rapid pace and there is so much to absorb on-screen, little references to the character and previous incarnations scattered across the screen – it is pure eye-candy. The voice cast are generally pretty strong and Lorne Balfe’s score is generally competent and there are a couple of memorable, dark and brooding themes that elevate the narrative, particularly in the opening fight sequence. Unfortunately, the film completely tanks in its second half. The reason why it tanks, primarily is because it chooses to go down a specific narrative which I won’t spoil but it really doesn’t do the film any favours. Part of why the first act works really well is because the filmmakers are clearly respectful of the source material but all that respect goes out of the window in the second half and this very much becomes a film centered for children. (My full review here)

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6) Justice League

I debated whether to put Justice League in last position because between this and The Lego Batman Movie, at least the latter has a brilliant first half. But because that film so violently tanks in its second half and at least, Justice League has a bit more promise, it just edges that film out. Still, Justice League is an absolute mess and is the result of again in the DCEU, too many cooks in the kitchen. Snyder and Whedon as filmmakers pull in completely different directions, with Whedon injecting more humour into the film whereas Snyder has always been the more visionary filmmaker. Whilst I was watching the film, I never felt the stakes faced against these characters and the film has no sense of flow. 120 minutes is a very short run time for the story this film tries to tell and is the shortest DCEU installment thus far. The film neglects to develop its new characters of Aquaman, Cyborg and The Flash that it introduces and has a very forgettable, one-dimensional CGI villain with typical end-of-the-world antics. One also has to wonder what this fim could have been. I’m confident that if we ever see a Snyder cut of the film, it will be leaps and bounds ahead of the theatrical cut and could really elevate the film. (My full review here)

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5) Guardians of the Galaxy Vol. 2 

Guardians of the Galaxy Vol. 2 is unevenly paced and overstuffed but the amount of heart it has allows it to just about be successful. Gunn hasn’t made your typical sequel but the story he chooses to tell is all over the place and at times, incoherent. The film retains much of the heart the first film had and this is what allows the film to work better than a film such as Avengers: Age of Ultron or X-Men: Apocalypse which were lunk-headed, equally overstuffed and had zero heart. Gunn manages to further expand the mythology of this sub-universe of the Marvel Cinematic Universe and the Guardians of the Galaxy are very much an important and established strand of this behemoth. I just wish the film was better. It is only because of the characters and the amount of attention invested in them that I can just about be positive in my overall opinion. (My full review here)

And now for the good one’s…

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4) Wonder Woman 

Wonder Woman is immensely enjoyable for a long strength of its lengthy runtime, has a lot of heart and is surprisingly quite human for a comic-book film. Action sequences are used quite sparingly in this film, Jenkins really puts these characters at the forefront and develops them strongly. The performances, pretty much across the board, are excellent and the film looks great visually. Unfortunately, it does fall into the trap of stumbling in its final act where it becomes quite formulaic and contrived but until this point, it is a very fine film and definitely the strongest DCEU film so far. (My full review here)

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3) Thor: Ragnarok

Thor: Ragnarok is a Taika Waititi film through and through – it retains his signature humour and really inverts expectations on what a Thor film should be. This feels refreshingly different from the first two films, more vibrantly coloured and more comical. The film is extremely entertaining and puts the characters that we have grown to like over the course of the films in rather vulnerable positions throughout the film and there is a real sense of danger prevalent. Unlike recent comic book films which have a great, big (and boring) action climax at the end of the film to save the world, Thor: Ragnarok actually earns its finale. The marketing for this film has also been extremely impressive upon viewing the final product – there’s a lot that Marvel have managed to withold from its audiences which is very satisfying. (My full review here)

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2) Spider-Man: Homecoming

It was a tough choice where to place this with Thor: Ragnarok but ultimately Spider-Man: Homecoming, to my surprise, was more of a breath of fresh air in what has been quite a convoluted genre of late. I thought it struck just the right tone between seriousness and humour and it is a very realistic and grounded film in the Marvel canon. It also features one of the best villains we’ve had in Michael Keaton’s Vulture who is extremely sinister and narcissitic. The whole cast are generally excellent and I was really invested in the narrative that Watts portrays. Watts also does well to not aim too high in terms of visual effects and although there are a couple of impressive action sequences, they never reach the heights of some of the other Marvel films which further helps to keep this film very grounded. (My full review here)

And the best comic-book film of 2017 is…

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1) Logan 

There was never any competition as to which film would get the top spot as Logan absolutely floored me in terms of how good it was. It’s not just the best comic-book film of 2017, it’s also one of the best films overall of the year. Logan is not really a superhero film, it is more of a Western film that just happens to have a superhero starring in it. The Western genre is a genre that is close to my heart so not only is it refreshing to be given another ace Western but for it to be in the shape of Logan is extremely impressive. The film is gritty, swearytastic and deliciously violent, fully earning the film a 15 / R rating. The performances by the cast all-round are great and Mangold directs this film with real flair. The film has a lot of emotional beats and really develops these characters that we have come to empathise with over the course of this franchise. The story, also manages to surprise with a couple of great twists and turns. I’m not sure if it’s better than The Wolverine but it is definitely equal to it and both of Mangold’s efforts are the best comic-book films since The Dark Knight. (My full review here)



What are your thoughts? Let me know in the comments or tweet @TheFilmMeister


 

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Top Five Roger Deakins-shot Films

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With Blade Runner 2049 out in cinemas and Roger Deakins’ spectacular cinematography within it, I thought now would be a suitable to list my favourite work of his. Deakins is one of the best cinematographers of our time, all of his works rich in memorable imagery and scope. To prove my point, Deakins still hasn’t earned an Oscar for his work despite being nominated 13 times, who along with George J. Folsey, holds the record for the most Oscar nominations for Best Cinematography without a win.  I’m hoping Blade Runner 2049 corrects this crime as he does some fantastic work again and it would be a nice amalgamation of his work if he were to win. Please note that I am not ranking the following films based on their quality, I am ranking them based on the quality of Deakins’ cinematography. Without further ado, here are my Top Five Roger Deakins-shot films:

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5) Fargo 

I really, truly struggled on what to have as my 5th choice. I debated between Prisoners, Skyfall, Kundun and The Shawshank Redemption, I ultimately chose Fargo, one of two Coen Brothers’ films that feature on this list. Not only is Fargo one of their best works, a rich and darkly comic crime thriller with some fantastic performances, it is heightened by Deakins’ awe-inspiring cinematography that perfectly encapsulates the isolated community both through the characters that live within it but also its chilly climate. Out of the five films on this list, this seems as though it was probably the easiest film to shoot but Deakins does so much with so little and manages to attain the sense of a boring, bland habitat of America the Coens wanted to shoot this gem of a film on.

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4) Blade Runner 2049

Deakins’ latest project sees him reteam with Denis Villeneuve (the first of two films directed by him on this list) and whilst I have some problems with the film on first viewing, I have no problems with Deakins’ cinematography at all. His work truly elevates the film and distinguishes between the macro and micro elements of the world created. A fight sequence in a theatre is particularly wonderfully staged as is a three-way sex scene. Every single shot by Deakins feels meticulously crafted throughout the film and there are many instances in the film where my jaw dropped in amazement. Deakins was the perfect choice to take over from Jordan Cronenweth’s work on the original and he takes respectful inspiration from him. Surely this must earn him the Oscar this year? (My review here)

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3) Sicario

The second of the two Denis Villeneuve films on this list, Roger Deakins’ work on Sicario is sublime. The film contains some exhilarating action sequences to its merit, the highlight being Deakins’ shooting of what is possibly one of the most intense traffic jams in cinematic history and very creative use of night vision for an action sequence set underground. Deakins is able to distinguish between the binary oppositions of good and bad, light and dark, urban and rural, America and Mexico through his use of lighting and contributes to the panic-inducing, kept-in-the-dark feeling the film manages to sustain throughout its run time. For Deakins’ sake, it’s a shame that The Revenant was released in the same year which cinematographer Emmanuel Lubezki blew all the other nominees out of the water but any other year, Sicario would be a fine winner. (My review here)

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2) No Country For Old Men 

The second of the two Coen Brothers films on this list, No Country For Old Men is Deakins at his best. In this revisionist Western, Deakins beautifully contrasts the light and dark, both physically and metaphorically with the rich and vivid characters portrayed on-screen. There are multiple instances where Deakins’ work is just jaw-dropping, particularly in Javier Bardem’s scenes and an extremely intense shoot-out in a hotel and the surrounding vicinity late on into the film.

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1) The Assassination Of Jesse James By The Coward Robert Ford 

For me, there was never really any competition – my favourite Roger Deakins-shot film is The Assassination of Jesse James by the Coward Robert Ford. Deakins makes maxiumum effect of this Western period setting and his cinematography is dream-like. A train robbery sequence early on in the film at night is simply staggering and Deakins maximises and juxtaposes the use of lights (through lanterns and natural light) and shadows. It’s a very sensory and human experience. Deakins also makes use of his self-titled ‘Deakinizers’, blurred effects around the border of a frame by taking old wide angle lenses and mounting them onto other cameras which really help attain the period feel of the film. Both this film and No Country For Old Men were nominated for the Best Cinematography Academy Award but lost out to Robert Elswit for his work on Paul Thomas Anderson’s There Will Be Blood. This is the film that should have won and not only is the actual film incredibly underrated, this by far is Deakins’ best work.


So there we go, there’s my personal Top Five. It was an extremely tough task and there are a lot of other works of his that are fully deserving to be of mention. What are your opinions of his work? What are your favourite Deakins-shot films? Let me know in the comments or tweet @TheFilmMeister


Blade Runner 2049 is currently playing in UK cinemas 

 

Ranking The Films Of Darren Aronofsky

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With Darren Aronofsky’s latest film ‘Mother!’ making a distinctive impression this September, now would seem a suitable time to do a ranking of his filmography thus far. Aronofsky is one of my favourite film directors and most of the time, makes extremely thoughtful and original films. Even the weakest film on this list, I have respect for. So without further ado, here is how I would rank Aronofsky’s films.

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7) Pi 

The only film I don’t like by this filmmaker, ‘Pi’ is, in my opinion, a self-indulgent, loud and annoying slog with a pathetic main character. Perhaps I need to rewatch it a few more times but it’s just a film that I cannot get into. It’s not a ‘bad’ film by any means and it’s certainly very surreal in sections and I do have respect for its ambitions. It just doesn’t seem as magical or as enticing as his other works. That’s not a bad thing – I enjoy some of his other films that others have not so if there’s something here that people revel at, it clearly works on some levels. It’s certainly not a film a mainstream director would be allowed to make in this day and age!

Now for the excellent films…

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6) mother!

I still haven’t really made up my mind on ‘mother!’ and I doubt I will until I have watched it a few more times. The first two acts are particularly grim and brooding and develop really neatly into what is a bonkers third act. I think I enjoy the film more for its conceptual nature rather than the actual film itself which I found a little hard to get into at times. That said, the film has made a very long lasting impression on me and I keep thinking about it. Aronofsky crafts some really strong and memorable images and I really enjoyed the characterisation. ‘mother!’ reinforces my love of film and is why I continue to be enamoured with the medium of film. It’s films like ‘mother!’ that challenge their audiences and aren’t just acceptable and dumb that really keep me driven.  I’m not really sure (and it is surely deliberate by Aronofsky) what the film means but on first viewing, I found the film to be delirious, deeply allegorical, manic, paranoid and genuinely unnerving. ‘mother!’ is definitely a film that deserves and I appreciate exists. This film has the potential to crawl up the list as time passes but for now, I have to put it 6th. You can read my full review here.

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5) The Fountain

‘The Fountain’ is a rather misunderstood film and received mixed reviews on its release. It is frequently enthralling and is a pure spectacle to behold on screen – it’s very impressive to see what one can do with a limited budget. This is in my opinion, Aronofsky’s first explicit exploration of religion and is perhaps one of the director’s most personal films. It features great performances across the board and features a magnificent score by Aronofsky-regular Clint Mansell and stunning cinematography by Matthew Libatique. So why it doesn’t it rank any higher? Its pacing feels rather disjointed and the film is a bit of a slog in parts and goes too quickly in others. A more ruthless editor who knew how to assemble the film in a better way, I’m sure would have put this up there with his best films.

There is now a big step-up in quality…

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4) Black Swan 

‘Black Swan’ is perhaps Aronofsky’s most mainstream offering and certainly elevated his oeuvre with a Best Director Oscar nomination. It is a dark, panic-inducing film that tackles a strangely hypnotic and hegemonically calm sport. Natalie Portman is electric as the titular character which she won an Oscar for and the cast is rounded out by Mila Kunis, Vincent Cassel, Barbara Hershey and Winona Ryder who all put in very convincing performances.

 

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3) The Wrestler

‘The Wrestler’ is a subdued and melancholic investigation into its main character, played magnificently by Mickey Rourke in a comeback role. Rourke is outstanding as Randy ‘The Ram’ Robinson who is a calm yet determined character and Marisa Tomei co-stars here too in what is perhaps a career best performance for her. ‘The Wrestler’ builds up to an outstanding conclusion and features outstanding cinematgraphy by Maryse Alberti, a departure from Matthew Libatique and a subtle yet memorable Clint Mansell score.

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2) Noah

‘Noah’, a passion project for Aronofsky is perhaps one of the most unconventional and controversial mainstream film of recent times. It delivers visually with some visceral action sequences and fantastical creatures yet is a strangely adult film for its 12 rating. It tackles some really controversial and hard to stomach themes and is in many ways, a morality tale. Russell Crowe is outstanding here as the titular character and across the board, the cast are brilliant with Emma Watson perhaps making the best impression as the barren Ila. ‘Noah’ really narked audiences off and religious devotees but this is a really special film that goes against the grain and really delivers. And again, Clint Mansell’s score and Matthew Libatique’s cinematgraphy once again elevate the film!

And the best Darren Aronofsky film is…

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1) Requiem For A Dream 

‘Requiem For A Dream’ is my pick for my favourite Darren Aronofsky film and is perhaps one of my favourite films since 2000 so far. It is a hallucinogenic, nerve-wracking, depressing experience that will put anyone off narcotics far more effectively than a school drugs talk. Aronofsky experiments with form and imagery and Matthew Libatique’s cinematography is especially kinetic and unnerving. Clint Mansell’s score is one of the most haunting of our times and has gone on to inspire many other films. It is a note perfect film and doesn’t degrade on each rewatch. It is a masterpiece.


What are your thoughts? Let me know in the comments or tweet @TheFilmMeister

 

 

Top Five Guy Pearce Films

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Guy Pearce has got a new film out this week called ‘Brimstone’, a Western thriller directed by Dutch director Martin Koolhoven and co-stars Dakota Fanning, Kit Harrington and Pearce’s wife, Carice van Houten. Pearce always integrates seamlessly into any film he is in and always elevates the material with his performances (even something deeply flawed as ‘Alien: Covenant‘). In ‘Brimstone’ he plays the villain, a ruthless Reverend. Pearce has played some brilliant villains, which will feature in this list and hopefully he’ll be the highlight of this film again. I thought this would be a suitable time to have a look back at Pearce’s career and count down his Top Five films, in my opinion. These films are based on both his performance in them and their quality – if I was ranking simply based on his performance, the list would dramatically change.

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5) The Proposition

Australian director John Hillcoat‘s feature length debut is his best film to date with a very subdued performance by Pearce in the lead role as Charlie Burns. Charlie goes through all manners of hell in this film and Nick Cave’s script puts Pearce front and centre in this epic. It’s a really underrated and underwatched film and features multiple performances as well as Pearce in this film that are highly worthy of mention, in particular the late John Hurt.

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4) Memento

‘Memento’ is Christopher Nolan’s second film after ‘Following’ but his first with a fair budget and a well-known cast. Guy Pearce is excellent as the amnesiac Leonard who tries to learn through conversations, violence and tattoos to search for the people who attacked him and killed his wife. ‘Memento’ is highly original in having its narrative play backwards and also experimenting through colour. It’s an ingenius concept and ‘Memento’ really put Nolan on the map of filmmakers to take seriously.  If you want your first film to watch from this director and have a great Guy Pearce performance within it, this is a great place to start.

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3) The King’s Speech 

Tom Hooper’s ‘The King’s Speech’ recieved many accolades and recieved many nominations for its performances but Guy Pearce, in my opinion, was unfairly left out. Pearce plays Edward, Prince of Wales who becomes King temporarily until he abdicates due to his relationship with Wallace Simpson, a twice-divorced American. One can really sense in Pearce’s performance the inner turmoil the character has to go through, trying to conform to expectations whilst at the same time doing what enriches him best. It’s a very meaty role and one that Pearce wholly succeeds in pulling off.

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2) Iron Man 3

It may come a bit of a surprise that I have ranked this entry in the ever-expanding Marvel Cinematic Universe behemoth. But ‘Iron Man 3’ is one of the most original entries largely thanks to Shane Black’s direction and a fair amount of plot surprises sprinkled in. Guy Pearce excels as Aldrich Killian. Again, Pearce plays a character who is suffering his own personal problems and Pearce is really able to elevate the material with his performance. 

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1) Lawless

‘Lawless’ is the weakest film quality-wise on this list but Pearce absolutely knocks it out of the park as the villainous Marshal Charley Rakes who antagonises the Bondurat brothers by trying to shut down their Prohibtion-era moonshine business. Pearce plays a really nasty, slimy character who is unpredictable, suitably ruthless and menacing. He really steals the show here and dramatically elevates the quality of the film. ‘Lawless’ would otherwise be a slightly above-average but a deeply flawed crime film. It still is largely but at least the threat from Pearce’s character seems extremely real.


So there we go, there’s my personal Top Five. You’re probably wondering though, where are ‘L. A. Confidential’, ‘The Hurt Locker’ and ‘Animal Kingdom’? Well whilst I do like those films, I feel that these five are more special to me although these films do contain some of his best performances too and are mostly excellent films in their own right. Pearce has such a wide range of performances and films that he his career has spanned across many genres.  Here’s hoping ‘Brimstone’ is worthwhile (it has all the signs)and that this very versatile and talented actor’s career continues to flourish.

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‘Brimstone’ will be released in UK cinemas on Friday 29th September

Ranking The Films Of Christopher Nolan

With Christopher Nolan’s latest film ‘Dunkirk’ making a huge impression on the Summer box office, now would seem a suitable time to do a ranking of his filmography thus far. Nolan is my joint favourite film director along with Quentin Tarantino and I genuinely believe that the both of them consistently make extremely thoughtful and original films and both are yet to make a ‘bad’ film. Even the weakest film on this list, I still enjoyed. So without further ado, here is how I would rank Nolan’s films.

Please note that I am yet to see ‘Following’, his debut feature so as of present, it doesn’t feature in this ranking. 

 

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9) Dunkirk

Whilst there is undoubtedly a lot to admire in ‘Dunkirk’, unfortunately I also have a lot of problems with it. It’s not a bad film by any means but Nolan misses the mark for me in a story that is too ambitious and hard to have any care towards. I can’t quite put my finger on it but the actual tone of the film seems off and I didn’t really find myself caring much for not just the characters but the actual event as the approach for me felt too conservative. It’s a very strange approach to take and I applaud Nolan for taking it but along with other reasons which I will discuss, I couldn’t find an emotional response. I’d still recommend going and seeing it as it is a story that needs to be told and there are quite a few nice moments but ultimately, the film left me rather cold in its depiction of this momentous event. Also, it is his newest film and I have only seen it once so perhaps it warrants further viewings. (Review here)

Now for the excellent films…

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8) The Dark Knight Rises

Already, I’m very stuck on how I would rank the next three entries in this list but I have to go with ‘The Dark Knight Rises’ for 8th place, Nolan’s final film in the superb ‘The Dark Knight’ trilogy. It rounds off the trilogy extremely well and features many memorable moments and isn’t your typical three-quel – Nolan develops the character of Batman a lot. Tom Hardy’s villainous Bane is another highlight and although not quite as good as Heath Ledger’s Academy Award winning turn as The Joker in ‘The Dark Knight’ proves a more physical enemy for Batman. The reason why it ranks a little lower in my list is because it is overlong at a rather mammoth 165 minutes but boy, does Nolan do the trilogy justice!

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7) Batman Begins 

‘Batman Begins’ is the film that started the trilogy and propelled Nolan more into the mainstream. Nolan’s origin story was a first for a comic-book film and although definitely overused now, he implements it extremely well. The performances in this film are across the board outstanding and Nolan’s sense of realism really gave the comic-book film more respect from both fans and critics alike. It too features many memorable moments and a handful of sinister villains. Compared to the rest of Nolan’s films and the reason why it’s 7th is because it is a little simplistic compared to some of the labyrinthine plotting that Nolan is most famous for. But compared to many other films, it is still far more intelligent.

There is now a big step-up in quality…

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6) Insomnia

‘Insomnia’ is generally regarded as Nolan’s weakest film but is still reviewed very positively. I think it’s a little bit of an unfair judgement to be fair as I think ‘Insomnia’ is a fantastic film. It features great performance from all of its cast and Robin Williams particularly gives a memorable performance in a very different role that he would normally take. It does a brilliant job of invoking a sense of paranoia and offers many moral questions to its audience. One also has to remember that ‘Insomnia’ is a remake of the Swedish film of the same name so for a remak to not just be good, but great is no short feat.

We now reach the almost-perfect films…

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5) Memento

‘Memento’ is Nolan’s second film after ‘Following’ but first with a fair budget and a well-known cast. ‘Memento’ is highly original in having its narrative play backwards and also experimenting through colour. It’s an ingenius concept and ‘Memento’ really put Nolan on the map of filmmakers to take seriously. Guy Pearce is excellent as the amnesiac Leonard and the film packs some truly wild twists and turns. If you want your first film to watch from this director, this is a great place to start. 

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4) Interstellar 

‘Interstellar’ is pretty much perfect for most of its lengthy 168 minute run time, until it reaches the last half an hour or so which become ridiculously complicated, bamboozling and its last scene a little too neat. But for most of the feature, Nolan doesn’t put a foot wrong and ‘Interstellar’ is extremely atmospheric and has some stunning cinematography by first-time Nolan collaborator Hoyte van Hoytema after departing from Wally Pfister who shot the rest of his preceding films. Matthew McConaughey gives a fantastic performance as Cooper who is endlessly empathetic and there is a career best performance by a very famous actor who to reveal would be a spoiler for the film. There are frequent moments of awe-inspiring shots and Hans Zimmer’s score is also extremely memorable. It’s my favourite film of 2014 and it would be perfect if it ended as perfectly as the rest of the film.

And now for the perfect films…these would all rank in my favourite films of all time…

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3) The Prestige

‘The Prestige’ is a perfect film and is endlessly rewatchable. The plot is a masterclass by Nolan and compared to a lot of his other films, is rather small in scale. Hugh Jackman and Christian Bale both give tremendous performances in the lead role and the late David Bowie also stands out in a small role as Tesla. The film has many revelatory twists and features one of the best endings to a film ever. It’s a bit of a shame it’s never quite got the recognition it deserves, presumably being released between two Batman films which are always going to be hotter property. But this is a gem of a film and one not to be missed.

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2) The Dark Knight 

‘The Dark Knight’ is the best comic-book film of all time. There, I said it. And there’s a reason why this film is constantly the benchmark that the sudden influx of comic-book films strive towards but can never quite reach. It’s not just perfect as a superhero film, it’s perfect because Nolan continues in his quest for utmost realism and also Nolan goes for more of a crime film, only it just happens to have a superhero starring in it. Heath Ledger’s performance as The Joker is nothing short of incredible and is not just one of the best comic-book villains but one of the best villains of all time. It is a staggering achievement and it too packs its own collection of twists and turns in its story. An absolutely mesmerising film.

And the best Christopher Nolan film is…

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1) Inception

For me, Nolan’s best film is ‘Inception’. It has an incredibly layered and grounded plot and is breathtaking throughout. Wally Pfister’s cinematography here is genius and there are many moments where the film is visually arresting. The performances throughout are fantastic and the characters are all really well developed. This is filmmaking at its finest and particularly in the run-up to this film, many blockbusters were big, dumb, fun affairs but Nolan proves to the film industry that blockbusters can be smart and still make money. It also proves that his Batman films weren’t just a one-trick wonder. An utterly spellbinding film and one that if you haven’t seen yet, I urge you to watch it right now!


What are your thoughts? Let me know in the comments or tweet @TheFilmMeister

 

 

Top Five Christian Bale Films

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Christian Bale has got a new film out this week called ‘The Promise’ which is the new film directed by Terry George and co-stars Oscar Isaac and Charlotte Le Bon. I thought this would be a suitable time to have a look back at Bale’s career and count down his Top Five films, in my opinion. These films are based on both his performance in them and their quality – if I was ranking simply based on his performance, the list would dramatically change.

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5) Batman Begins

Christopher Nolan’s first Batman film that redefined the comic-book genre and introduced the idea of an origin story, Bale gets a lot to do here and his performance as Bruce Wayne / Batman is very conservative.

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4) 3:10 To Yuma

I’m a sucker for Westerns and James Mangold’s remake of ‘3:10 To Yuma’ had me giddy. It is perhaps one of the best remakes to date – Mangold manages to use the iconography of the genre but also stick his signature stamp onto it. Bale’s character is very multi-dimensional and he really goes through a lot of stick and Russell Crowe also gives a great performance here.

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3) Out Of The Furnace 

A very unlikely choice and although ‘Out Of The Furnace’, on paper is Scott Cooper’s worst film, for me the film is near-perfect. It is a revenge thriller full of many layers and Bale’s performance as the troubled protagonist is completely full of conviction and his character goes through a hell of a lot in this film. Forget ‘American Hustle’ of that year, this was the film Bale shone in!

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2) The Prestige

A very close race and I was tempted to put this first, Christopher Nolan’s ‘The Prestige’ is a masterpiece and full of brains. It is endlessly rewatchable and I always notice something new in this film each time I watch it. Both Hugh Jackman and Christian Bale are excellent here but I think Bale gives the better performance as a character full of layers. It’s a shame that this film is quite underrated when it comes to Nolan’s filmography but if you can seek it out, it is more than worth your attention.

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1) The Dark Knight

What would a Christian Bale list be without this iconic film? ‘The Dark Knight’ is the film that rules all comic-book films and which all comic-book films strive to reach the quality of. It is simply breathtaking and features perfect measures of action, brains and narrative. Performance-wise, of coure this is the late-Heath Ledger’s film with his daring turn as the Joker which ultimately earnt him a posthumous Academy Award. Bale’s Bruce Wayne / Batman does get sidelined but Bale really develops as a character here and particularly in the now-iconic prison interrogation sequence, Bale more than holds up his own against Ledger. Great film and a measured Christian Bale performance.


So there we go, there’s my personal Top Five. You’re probably wondering though, where are ‘The Machinist’, ‘American Hustle’, ‘The Fighter’ (for which he won an Oscar for) and ‘The Big Short‘? Well whilst I do like those films, I feel that these five are more special to me although these films do contain some of his best performances too. Here’s hoping ‘The Promise’ is worthwhile and that this very versatile and talented actor’s career continues to flourish.

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‘The Promise’ will be released in UK cinemas on Friday 28th April

Ranking The Best Picture Nominees

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The Academy Awards have now been and gone and ‘Moonlight’ ended up being triumphant edging out ‘La La Land’ which took the Golden Globes and BAFTA’s by storm. Here I rank the Best Picture nominees in order of my own personal preference. Unfortunately, I have only recently managed to watch ‘Hidden Figures’ hence why I am a little late.

Let’s get started…

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9) La La Land

The film that everyone loved and expected to win Best Picture, it is with heavy heart that I found ‘La La Land’ to be an incredibly disappointing film that is totally undeserving of all the praise it received. I really wanted to like this film and I kept trying to make excuses for Chazelle but there’s just too many mis-steps to ignore and the film feels very disjointed in its pacing. The performances are admirable and Gosling and Stone carry the film well but by no means are they awards-worthy and the script in particular, which is normally Chazelle’s main attribute is dismally lacking and doesn’t have any direction to it. The whole plot of the film is by extension, confused and the film doesn’t know what it wants to be and the many elements of the narrative just aggressively don’t come together. Did I miss something in this film? Did I watch a different film to everyone else, not the one that has made such an impression on both critics and audiences and has attracted sterling reviews? (My Review here)

There is now a big step up in quality…

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8) Moonlight

‘Moonlight’ makes for quite a mixed watch and starts off well enough in its first two segments only to undo itself in its third. I couldn’t really connect with the characters in the third act and found the film quite alienating. That said, the film is not an easy watch and this is a film that warrants rewatching so the rating of this film has the potential of increasing. Aside from my issues with the film, it features some great performances, a superb score  and some interesting cinematography and the film can only be admired for what it is trying to do even if Jenkins doesn’t quite have the experience to fully execute his vision. In terms of positioning on this ranking, I did have to juggle this with my no. 7 pick, ‘Fences’ and whilst this film warrants a rewatch, the reason why I am ranking it below is because I found ‘Fences’ a little more fulfilling the first time. (My Review here)

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7) Fences

Just edging out ‘Moonlight’ but this could very easily swap places on rewatching it, the big problems that hinders ‘Fences’ for a considerable amount of its lengthy run time is that it isn’t particularly cinematic. Straight off the bat, the film felt this way and the film made me want to be in a theatre experiencing this narrative on stage. For the first half an hour or so, this is particularly problematic but I began to settle into the film when its narrative kicked in and through its excellent performances. Even when the film settles, it can still never quite shake off this feeling. Funnily enough, it is in the film’s quieter moments where it isn’t so dialogue-laden that it begins to feel more cinematic and it is on the strength of August Wilson’s screenplay which is a terrific piece of work that the film overall just about works. There are a number of really touching scenes peppered throughout the film that are stunning to behold and I found the narrative in Wilson’s script particularly strong. It’s a good film but I don’t think it’s Oscar material. (My Review here)

Now we get to the excellent films:

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6) Arrival

‘Arrival’ is masterfully constructed by Villeneuve and for its first two thirds is particularly gripping. The performances are strong here too and yet again, Villeneuve’s team behind-the-camera do some good work. However, the film bites off a bit more than it can chew in its last third and although the film is still very interesting and original, it does begin to derail and struggle through towards its ending. I’m not going to go into spoilers as this is a film that needs to be watched blindly but I felt the film did leave a lot of questions unanswered and the ending does have a few plot holes to it. This is a film that warrants multiple rewatches so perhaps things will become clearer on subsequent viewings. It’s a film that for a sci-fi is very low on action and big set-pieces – this is very much a thinking person’s sci-fi and is not too dissimilar thematically from films such as ‘Contact’ or ‘Close Encounters of the Third Kind’ for example. Denis Villeneuve is one of my favourite directors currently working in Hollywood so for this film to come 6th is testament to the quality of not only this film but the subsequent films in this list. (My Review here)

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5) Lion

To my surprise, I really liked ‘Lion’ and found it to be an emotionally rewarding and heartfelt experience and the material was respectfully judged by Garth Davis. It features some very real performances with the standout being Dev Patel and although it can’t quite shake off the biopic feel at times, its narrative manages to do a lot of the heavy lifting. It also features a very memorable score that is respectful and well-judged and the cinematography is equally effective in encapsulating the narrative of the film. (My Review here)

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4) Manchester By The Sea

‘Manchester By The Sea’ is a heartfelt, expertly crafted film that features a career-defining performance by Casey Affleck and it takes its time in really developing its characters and allowing its audience to emotionally connect with them. The rest of the cast are also very strong and the narrative really goes to town with these characters who all go through their own equally debilitating experiences. That said, the film does have some flaws in its tone which is a little unbalanced at times and a couple of baffling musical choices also awkwardly impact the film. (My Review here)

And now the top three…

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3) Hidden Figures

‘Hidden Figures’ is an extremely easy film to like and barely puts a foot wrong; I was utterly charmed by it the whole way through. It is competently directed by Melfi and has just the right blend of comedy and factual drama in it to prevent it from being too laborious or too comedic. Not only are the performances are great in this film, but the characters are all really well-developed and the screenplay by Melfi and Allison Schroeder is wonderfully written. What stops this film from being perfect is it is fairly conventional in parts and there are a couple of story arcs that are a little underwritten. But these are very small nitpicks in an otherwise near-perfect film. (My Review here)

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2) Hacksaw Ridge

‘Hacksaw Ridge’ is one of the best war films I have ever seen and features some stunning performances with Gibson’s signature gory yet visceral battle sequences that really throw these men into hell-and-back. Gibson is able to really portray the hardship that these men endure time and time again and whilst I am ever respectful of those fight for their country, this film elevated my respect even more for them whilst watching this film. The film is extremely well-shot and features many memorable sequences – this film fully deserves the Awards attention it is getting! That said, the film is not without fault and an inconsistency in tone is this film’s biggest problem as the two distinct halves of the film don’t quite gel together. The first half in particular of the film which develops these characters and prepares Doss for the battle that lies ahead often head into conventional territory and it is quite bizarre as it almost feels like Gibson is knowingly do this but to what purpose, I’m not sure. However, when the film is able to go berserk, it does and it is immensely satisfying. (My Review here)

And the best film is…

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1) Hell Or High Water 

Far and away the best film of this selection, I loved ‘Hell or High Water’ on first viewing and it gets better on every rewatch. It is a very well directed film that boasts some terrific performances by its cast, particularly Jeff Bridges and I normally don’t like Chris Pine so for him to not only be in a great film but give a great performance is a miracle. The film has a lot to say on American society and it perfectly develops its characters and features some terrific sequences. It also features one of the very best scores of the year by Nick Cave and Warren Ellis. There wasn’t a chance in hell that this film would ever win but at least it’s getting the recognition it deserves – go and see this film!

Summary

Overall, this is not the strongest collection of films nominated for Best Picture by any means, but it generally a consistent and worthy selection of films with the exception of ‘La La Land’ but I can see why many people have taken to the way that they have with the film. ‘Moonlight’ ultimately won the Best Picture Award which is deserving due its subject matter and I hope the film manages to reach the heights of the others on this list on subsequent viewings – it does have that spark but I couldn’t quite connect with it. ‘Hell or High Water’ is by far and away the best film here but it didn’t connect with critics and audiences as much and many were surprised to see it even nominated. I’m just happy that ‘La La Land’ didn’t win as I cannot understand the praise that that film has received, as much of a fan of Damien Chazelle as I am, it really missed the mark.

Ranking The Comic-Book Films Of 2016

With 2016 bringing us a slew of comic-book films, 6 to be exact and them all receiving very different receptions now would seem like a suitable time to rank them. Although comic-book films are prevalent every year at the moment, 2016 has allowed them to branch out with DC ramping up their cinematic universe with the releases of ‘Batman v Superman: Dawn of Justice’ and ‘Suicide Squad’ so we now officially have the Marvel Cinematic Universe and the DC Extended Universe which will continue to battle each other throughout the next few years. DC have had a particularly hard time this year with both of their films receiving negative reviews and drawing lots of controversy. I love controversy as I have had different reactions to both films but I can understand why they have drawn up so much debate. ‘Suicide Squad’ is also the first comic-book film to be from the perspective of the villains and ‘Deadpool’, a comic-book adaptation that is 15 / R-rated and it really earns this rating. I wrote a post earlier on this year but I do think this will be interesting for the future as we will hopefully get some adult-orientated comic-book films.

So this hasn’t just been a typical year in this genre hence why I have felt the need to rank them. Let’s get started!

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6) X-Men: Apocalypse 

‘X-Men: Apocalypse’ severely drops the ball big time – it is far and away the worst entry in the entire franchise and apart from a promising first 45 minutes or so, is an overlong CGI bore. The story is incoherent and sloppy and particularly towards the film’s climax, the film is unwatchable. Even the acting which is normally stellar is very underwhelming and there are many examples of both old and new characters phoning it in. Oscar Isaac is an especially awful villain and it’s such a shame to see such a talented actor reduced to a throw-away role like this. There is some stuff to like here – there are a couple of good sequences peppered throughout the first two thirds of the film and particularly the film’s opening is  rather promising but other than this, it is with heavy heart that this film is an outright disaster. (Review here)

And now for the good one’s…

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5) Deadpool

‘Deadpool’ is unfortunately a bit of a disappointment given the hype it has recieved but individual set pieces and sequences are absolutely fantastic. Director Tim Miller really knows how to direct action and the opening action sequence is perhaps the most exciting action sequence in a comic-book film this year. Ryan Reynolds is also perfect in the titular role but the rest of the cast aren’t particularly great. It does suffer from a low budget and tonally, it can be quite obnoxious in parts. The humour is also quite primitive given the directions that they could have gone in although I do admit that I did chuckle a few times. Fox also heavy-handedly promote their X-Men universe to the point where it feels that is being rammed down the audience’s throat which is a shame. It would be great to see Deadpool team up with his X-Men counterparts but a constant reminder that this is happening shouldn’t occur. The film is also so focussed with lambasting every other comic book film that exists that it falls into conventionality, particularly the third act. Now all this would seem negative – there is a lot to like in this film but it is also deeply flawed. Sadly, Tim Miller won’t be returning to direct the sequel. (Review here)

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4) Suicide Squad

‘Suicide Squad’ is unfortunately a disappointment compared to the promise of the trailers that have preceded the film for the past year and half. It is quite noticeable that this film has been tampered with by the studio – the film often feels like a music video in its editing and the whole film feels incredibly disjointed and its humour feels very forced at times. The story is virtually non-existent – it is paper thin and the characters are solely put first. Now that all said, there are large portions of the film that David Ayer seems to have made that are left in the film and there are some outstanding sequences buried in this middling adaptation. Ayer also does a very good job in developing the characters enough for audiences to care about them and warrant a sequel even if the film that they are in here isn’t the best. The cast assembled here have clearly put in a lot of effort into their roles and the performances clearly pay off with Margot Robbie, Jared Leto and Viola Davis being the standouts. There is one exception which is Cara Delevingne who is absolutely god-awful in this. Although very promising in places, ‘Suicide Squad’ is ultimately nowhere near good enough as it should have been and is further evidence of a director’s vision being compromised by the studio. But I would definitely be up for a sequel with the hope of an improved narrative and less studio interference. (Review here)

There is a big step-up in quality from here…

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3) Captain America: Civil War

‘Captain America: Civil War’ is a very solid effort from the Russo brothers and is an improvement over ‘The Winter Soldier’. It has a great cast and is one of the rare ensemble comic book films of recent times to not feel overstuffed. The film is however overlong – it takes a long while to get going and there is a lot of excess baggage that could have been trimmed but when the film does get going after 45 minutes or so, it’s surprisingly coherent for a film that has a lot of characters to juggle and is well-paced. Surprisingly, the film also features one of the best villains in the franchise, an aspect that Marvel are not good at and consistently fail at even in their best films, but Daniel Bruhl makes for a menacing and calculative three-dimensional villain and is the best comic-book villain of the year out of all these films. This is a strong comic-book film that develops the MCU but the reason why it’s at 3rd is because it doesn’t do particularly much in the way of risks. (Review here)

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2) Batman v Superman: Dawn of Justice

It was a tough choice where to rank this film – in many ways, this could have been my favourite or it could have been behind ‘Captain America: Civil War’. Although ‘Batman v Superman: Dawn of Justice’ is wildly uneven and its overstuffed story is very incoherent at times, there are aspects of this film that are absolutely stunning. Director Zack Snyder took a lot of risks here and although this film has received a whole host of different responses, this is by no means a safe comic-book film and is more of an experiment. Snyder’s treatment of these superheroes is very controversial at times (here Batman kills people unlike in the comics for example) and there are some gaping plot holes and some questionable decisions in the plot. Larry Fong’s cinematography is jaw-droppingly good and there are some outstanding camera shot that are a pure spectacle to behold. A lot of the cast here are great – Ben Affleck’s performance is a brilliant rendition of the Caped Crusader and Gal Gadot and Jeremy Irons are also welcome additions. Unfortunately Henry Cavill’s Superman is sidelined but is more fleshed out in the superior Ultimate Cut. The film does suffer in its final act which is an action sequence too long and Jesse Eisenberg’s Lex Luthor is a misfire. This film is a marked improvement over its predecessor, ‘Man of Steel’ and the film is very entertaining and features some outstanding sequences and some interesting ideas. ‘Batman v Superman: Dawn of Justice’ is not your conventional comic-book film and is all the better for it. Sadly I don’t think Zack Snyder will be given quite as much creative freedom for ‘Justice League’. (Review here)

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1) Doctor Strange 

‘Doctor Strange’ is a delight from start to finish – it is thoroughly entertaining, extremely well-paced and has perhaps the best visual effects that I have seen in a film for a while. The film is bolstered by its excellent cast who are all wonderful and Scott Derrickson is a clear fit for the material –  you can really tell the passion that has gone into this film behind the camera. It’s a lot more stripped down than a lot of the other comic-book films this year  which means the film can get a chance to breathe and develop these characters. Benedict Cumberbatch as the titular character is wonderful as is the rest of the cast which was a given from day one – when you have a cast comprising of Cumberbatch, Chiwetel Ejiofor, Rachel McAdams, Benedict Wong, Michael Stuhlbarg, Benjamin Bratt, Mads Mikkelsen and Tilda Swinton, you know you are in for a treat. Although the film takes less risks than ‘Batman v Superman: Dawn of Justice’, it is more coherent and has a lot of heart to it which gives this film the edge. A really impressive film and hopefully we’ll have plenty more to see from these characters as the Marvel Cinematic Universe continues to expand. (Review here)



What are your thoughts? Let me know in the comments or tweet @TheFilmMeister


 

Ranking The X-Men Films

With 2016 bringing not only one but two ‘X-Men’ films, now would seem like a suitable time to rank the entire lot. It is currently the 7th highest grossing film franchise of all time so clearly a very profitable brand and one that is generally regarded highly. In my opinion, the series is mostly very good – at its best, near-perfect, but at its worst, crushingly disappointing.

Let’s get started!

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9) X-Men: Apocalypse

Unfortunately, ‘X-Men: Apocalypse’ is the only bad film of this series. Apart from a promising first 45 minutes or so, the film is a CGI bore. The story is incoherent and sloppy and particularly towards the film’s climax, the film is unwatchable. Even the acting which is normally stellar in this series is very underwhelming and there are many examples of both old and new characters phoning it in. Oscar Isaac’s titular villain is a total disaster and the film is even mean-spirited in places taking unnecessary shots at ‘X-Men: The Last Stand’ which ends up backfiring on itself. There is some stuff to like here however – amidst all of the incoherency, there are a couple of good sequences and the film opens up rather promisingly but other than this, this is a film to avoid. (Review here)

Now for the good ones…

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8) X-Men 2 (alternatively known as ‘X2’)

Generally regarded as the pinnacle of this franchise, I’ve always found this film to be quite baggy in places and muddled but it sets itself very nicely for ‘The Last Stand’ and has a great villain in Brian Cox as William Stryker, a recurring character in this series. Perhaps the reason why I dismiss it a little is because of how much I had enjoyed its predecessor which redefined the comic book genre. This film is a lot less enjoyable and at times, is a chore to sit through and the film has a lot of exposition in it which does make the film come down a bit at times. That’s not to say I don’t enjoy the film – I just don’t understand why it is generally regarded as the best entry.

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7) Deadpool

‘Deadpool’ is an interesting spin-off in this franchise and it’s refreshing to see that this film has the courage to push the boundaries in its age rating. It is unfortunately a bit of a disappointment given the hype it has recieved but individual set pieces and sequences are absolutely fantastic. Ryan Reynolds is also perfect in the role. It does suffer from a low budget and tonally, it can be quite obnoxious in parts. The humour is also quite primitive given the directions that they could have gone in although I do admit that I did chuckle a few times. Fox also heavy-handedly promote their X-Men universe to the point where it feels that is being rammed down the audience’s throat which is a shame. It would be great to see Deadpool team up with his X-Men counterparts but a constant reminder that this is happening shouldn’t occur. The film is also so focussed with lambasting every other comic book film that exists that it falls into conventionality, particularly the third act. Now all this would seem negative – there is a lot to like in this film but it is also deeply flawed. (Review here)

There is now a big step-up in quality…

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6) X-Men: The Last Stand 

‘X-Men: The Last Stand’ is a very misunderstood film after Bryan Singer’s first two directorial efforts that were so widely praised, ‘X-Men: The Last Stand’ gets a very bad wrap but it is in fact a no-nonsense, entertaining film by Brett Ratner that isn’t scared of deviating the story in set in the first two entries of this franchise. It’s much leaner and simpler than ‘X-Men 2’ but this works in the film’s favour and Ratner doesn’t mess around with killing off some key characters which makes the story very unpredictable and all the more enjoyable. As the film is so economical in its pacing, it falls short in its character development and the film doesn’t carry much of an emotional arc.

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5) X-Men: Days Of Future Past

Bryan Singer’s return to the franchise and generally regarded as one of the best instalments, ‘X-Men: Days of Future Past’ is overrated but the film does have many moments of sheer brilliance and has an interesting narrative.  One of my initial worries when the film first came out was how they were going to handle the heap of characters, but it’s not a big issue at all.  love how Bryan Singer has tried to ‘right the wrongs’ of past films and he has almost got it there, albeit with still a few holes to fix. There are some terrific sequences in the film, most notably the now infamous scene with Evan Peters as Quicksilver breaking Magneto out of the Pentagon. However, the film is about 15 minutes too long and its third act is a bit of a comedown from an otherwise focussed film. Although it’s not quite a triumph , it’s  still a very valiant effort from Bryan Singer.

And now for the greats…

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4) X-Men

The film that kickstarted this franchise off. Although the effects may seem quite dated now, ‘X-Men’ is an endlessly entertaining film and Bryan Singer’s best out of his 4 efforts in this franchise. Singer establishes and develops the characters that we have now grown to love and is very faithful to the comics that the film is based on. This film also marks Hugh Jackman’s first appearance as Wolverine who is excellent and as ever, Ian McKellen makes for a menacing villain. As mentioned though, this film hasn’t aged particularly well but it still manages to entertain as the story is very sharply focussed and the film boasts some fun action sequences.

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3) X-Men Origins: Wolverine

This is probably the part where you stop reading this list and completely disregard it.  I know this film is generally regarded as the worst entry by a long shot, but allow me to justify myself. I really enjoyed ‘X-Men Origins: Wolverine’ as it is suitably gritty and works as a great revenge tale for the superhero that we have all come to love. There are some outstanding sequences here such as Wolverine’s transformation and there are some cool action scenes, most notably the now infamous helicopter sequence. It does also have a surprising amount of heart as the film explores the relationship between Wolverine and Kayla very well and we really feel for Wolverine when everything is taken away from him. The film also has some really good performances here – Liev Schreiber is the best Sabretooth to be portrayed on-screen to date, Danny Huston makes for a great villain and even Taylor Kitsch and will.i.am, two actors who have played in some terrible films give valiant performances here. What really angered fans with this film was its treatment of Deadpool – I agree that it does make some mistakes with the character but his introduction in the beginning is fantastic and if fans didn’t feel so strongly about this, we would never have got the ‘Deadpool’ film that we have today. Give this film another chance, don’t take it too seriously and you may find yourself having a great time watching this.

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2) X-Men: First Class

‘X-Men: First Class’ is an intelligent and extremely entertaining entry in this franchise that marked the beginning of the prequel trilogy and rejuvenated fan opinion of this franchise after ‘X-Men: The Last Stand’ and ‘X-Men Origins: Wolverine’ had been negatively received. This film successfully blends superheroes with history and the film features some fantastic performances, most notably Michael Fassbender who proves himself a great Magneto and in my opinion, has the best scene in this entire franchise in a bar in Argentina. Kevin Bacon also makes for a menacing villain and the film’s new ‘younger’ cast are all a great match for the older cast in the original trilogy. Henry Jackman’s score is very effective here too and there are some great themes. However, the film does stumble in its third act where it does lose some steam but other than this, the film provided a successful return to the franchise and is a film that fans generally regard as one of the best entries in this franchise.

And the best X-Men film is…

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1) The Wolverine

A surprise winner compared to other lists, ‘The Wolverine’ is a perfect film up until its final act that does what most other comic book films can’t – not just be a great comic book film but also a great action film to boot. As the characters of Wolverine and the rest of the cast are very well developed, one forgets that they are watching a comic book film half the time and we really feel his pain. The film features some great action sequences particularly one on a bullet train and at a funeral and up until its final action sequence that descends into generic comic book territory is a perfect adaptation of what a Wolverine film should be. Hugh Jackman gives the best performance he has done of this character here and both Rila Fukushima and Tao Okamoto give assured performances and will hopefully progress further into the film industry on the merits of their work here. Marco Beltrami’s score is beautiful and endlessly atmospheric. James Mangold proves himself as a director here and hopefully the sequel to this film will be just as good – we will find out next year!

 


What are your thoughts? Let me know in the comments or tweet @TheFilmMeister

Ranking The Best Picture Nominees

The Academy Awards have now been and gone and ‘Spotlight’ ended up being triumphant edging out ‘The Revenant’ which took the Golden Globes and BAFTA’s by storm. Here I rank the Best Picture nominees in order of my own personal preference. Unfortunately, I have only just got round to watching ‘Brooklyn’ hence why I am a little late.

Let’s get started…

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8) The Martian

Unfortunately, ‘The Martian’ was very disappointing. Even though it had been overhyped, as a film it just didn’t work. The performances were not bad although Matt Damon’s nomination was rather undeserved and allowed talents such as Johnny Depp for his performance in ‘Black Mass’ to get snubbed. Ridley Scott’s direction was also ok but he has done far better work, for example 2012’s ‘Prometheus’ is a much better film than this.

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7) The Big Short

A very original and intelligent film that does deserve a place in the ‘Best Picture’ category but it is towards the bottom of the list due to the fact the film has a lot of issues tonally. At times it comes across as very smug and obnoxious and the film has a bit of an identity crisis as director Adam McKay can’t quite shake off his comedic roots. That said though, it is very original in the way it all plays out and the acting, particularly by Christian Bale and Steve Carrell.

(Click here to read my review)

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6) Brooklyn

‘Brooklyn’ is a fairly unremarkable film that feels quite disjointed and a little too ordinary for the Best Picture Academy Award. However, Saoirse Ronan gives a career-best performance here and there are some outstanding scenes that work separately to the rest of the film. Compared to ‘The Big Short’, I would argue that ‘The Big Short’ is definitely more original and better Awards material but ‘Brooklyn’ is stronger as entertainment.

There is now a big step up in quality…

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5) Bridge Of Spies

In parts, ‘Bridge of Spies’ is outstanding, particularly in its first half and has a revelatory turn from Mark Rylance which won him the Academy Award for ‘Best Supporting Actor’, deservedly so. Tom Hanks manages to carry the film along, but Rylance’s absence is sorely missed in the second half and the film loses steam. Usual business from Steven Spielberg, but still good fun.

(Click here to read my review)

Now we get to the excellent films:

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4) The Revenant

A little sluggish in parts, ‘The Revenant’ is a fantastic piece of work with outstanding performances and assured direction from Alejandro Gonzalez Inarritu. It’s a very sensory experience and Lubezki’s cinematography is gobsmacking and earned him another Academy Award. This was also the film where Leonardo DiCaprio finally was given an Oscar for his role here, deservedly so.

(Click here to read my review)

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3) Spotlight

A gripping tale of the Catholic Church scandal, ‘Spotlight’ is a very assured film that features fantastic performance from the entire cast and a brilliant, tight script penned by Tom McCarthy who also directs. The only reason why it doesn’t rank higher is the fact that it doesn’t particularly do a lot to set itself apart from other films of this type but it’s still supremely entertaining and satisfying.

(Click here to read my review)

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2) Mad Max: Fury Road

An astonishing piece of work by director George Miller against all the odds. Whilst ‘Mad Max: Fury Road’ is not perfect by any means and lacks in the story department, the action sequences are a gargantuan work of art and on a technical scale, the film is jaw-dropping. Interwoven into all the action on-screen is a wonderful female leading role by Charlize Theron who is able to redesign the role of the woman in the action film genre.

And now for the best film…

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1) Room

‘Room’ is a flawless piece of work. It is an inspiring watch and reaches various emotional heights. The performances from the cast all round are nothing short of incredible and Lenny Abrahamsson’s careful and assured direction works wonders. The film has a beaming heart at its core – at times the film is devastatingly sad and at others, warm and feel-good. It is expertly paced and takes ample time to develop its characters. ‘Room’ has received a rare 5-star rating from myself and on top of that, is one of the best films of the decade so far. 

(Click here to read my 5-star review)

Summary

Overall, a worthy selection with the exception of ‘The Martian’ and ‘Brooklyn’, but in terms of originality, ‘The Big Short’ deserves its spot even if it is a flawed film. It’s also one of the strongest fields in recent years. ‘Spotlight’ ultimately won the Best Picture Award which is deserving. ‘Room’ is by far and away the best film here but it didn’t connect with audiences as much as this and it was a toss-up between ‘Spotlight’ and ‘The Revenant’. I’d have been happy if ‘Mad Max: Fury Road’ would have won but the Academy would be very trepidatious to say the least, to give the highest Award to a blockbuster.